Eugene Boudin
1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.

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Eugene Boudin Bathers on the Beach at Trouville oil painting


Bathers on the Beach at Trouville
1869 Musee d'Orsay, Paris
Painting ID::  154
Eugene Boudin
Bathers on the Beach at Trouville
1869 Musee d'Orsay, Paris
   
   
     

Eugene Boudin Trouville oil painting


Trouville
1864
Painting ID::  155
Eugene Boudin
Trouville
1864
   
   
     

Eugene Boudin Lameuse a Rotterdam oil painting


Lameuse a Rotterdam

Painting ID::  158
Eugene Boudin
Lameuse a Rotterdam
   
   
     

Eugene Boudin Jetty At Trouville oil painting


Jetty At Trouville

Painting ID::  159
Eugene Boudin
Jetty At Trouville
   
   
     

Eugene Boudin The Beach at Trouville oil painting


The Beach at Trouville
1864 10 1/4'' x 1' 7''(26 x 48cm) Gift of Eduardo Mollard,1961
Painting ID::  11294
Eugene Boudin
The Beach at Trouville
1864 10 1/4'' x 1' 7''(26 x 48cm) Gift of Eduardo Mollard,1961
   
   
     

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     Eugene Boudin
     1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.

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